“You wished for this.”
Written and directed by Curry Barker, 2025’s Obsession was a darling of the Toronto International Film Festival and the indie film circuit prior to its big-time release by Focus Features and Blumhouse, which led to the film becoming a massive hit at the box office and an instant classic for Gen Z, who related to the characters and their relationships in the film. While I happen to be a member of Generation X, I can see where Gen Z is coming from, but I reacted to this film in a different way. I’ll get to that later, but for now, let’s take a look at the film itself.
Some Spoilers Ahead!!!
Bear (Michael Johnston) is a shy, somewhat introverted guy who is friends with Sarah (Megan Lawless), Ian (Cooper Tomlinson), and Nikki (Inde Navarrette). All three of them work together at Cassell’s Music, which is owned by Sarah’s father, Carter (portrayed by the great Andy Richter in a small role). Bear likes Nikki, but is too shy to reveal his feelings to her and finds himself perpetually friend-zoned. When he drives her home one night, he makes a feeble attempt at opening up to her and fails miserably. In a moment of hopeless desperation, he cracks open a One Wish Willow, a novelty toy that grants one wish, only one wish, to the person that breaks the willow stick. He wishes that Nikki will love him more than anything in the world……and it works…..with horrible consequences. Nikki becomes infatuated, supernaturally, with Bear, wanting to spend every moment of her life with him, protecting him, loving him, and going to any lengths to make sure that he loves her as much as she loves him. The story spirals into one psychotic moment after another until things come to a head. What happens in the end? Watch Obsession and find out for yourself!
Barker has said that a Halloween episode of The Simpsons, featuring a tale inspired by W.W. Jacobs’ short story The Monkey’s Paw, was a primary inspiration for Obsession. Prior to learning this and while watching the film, my Gen X heart saw hints and glimpses of films like Misery, Fatal Attraction, Swimfan, Wishmaster, and even Play Misty For Me. Stories about wishes going wrong are as old as storytelling itself, and tales of psychotic lovers or obsessive fans have probably been around just as long. The element that Barker adds to this story that is unique (but not necessarily new, see films like The Craft), is the supernatural affect upon Nikki as she becomes more violent, more psychotic, and more protective of Bear and how his friends and acquaintances see him as the victim when, in fact, it’s Nikki that is trapped by Bear and his wish. You can take the story into a thousand different social and relational directions, which seems to be what Gen Z did, but the bottom line is that Bear is a bad guy, cowardly and selfish, and the horror is that he doesn’t seem to care that Nikki is falling apart internally and only begins to want things to go back to normal when he can no longer keep Nikki under wraps. It’s a well done film that takes old ideas and wraps them in a generational blanket that will be received by audiences differently depending on their age.
The cast do very well in all of their roles. Johnston is easy to dislike as supposedly innocent Bear, and Tomlinson does a fine job as his buddy, Ian. Sarah is easy to like, thanks to the performance of Lawless, and I believe that the entire audience was pulling for her throughout the film. Inde Navarrette has gotten the most attention for her performance as Nikki/supernaturally-unhinged Nikki, and she deserves the accolades that she has received. Barker, in my opinion, is the real star here, though, as his direction, writing, use of camera angles and lighting, all made the film much better than it should have been. In short, be sure to check out this movie. It’s not groundbreaking in any way, but it is a sharply delivered thriller that will get different reactions from everyone.
Thanks for checking out my review. I hope to do more reviews in the very near future. I’m still trying to get back into a rhythm after being pulled in a million different directions over the last few years.























































































