Hollywood Gothic by David J. Skal

Pages dripping with blood-soaked tales….

I’ve been meaning to read Hollywood Gothic by David J. Skal for weeks now, but between two hurricanes and an ongoing onslaught of overtime at work thanks to said hurricanes, I’ve only recently completed the book. It’s an informative read with plenty of humor laced throughout. Skal does a great job of giving readers, from hardcore vampire fans to casual cinema goers, a plethora of facts, figures, legal fights, and other twisted tales as Bram Stoker’s beloved book takes its journey from the page to the stage and eventually to the silver screen.

The first half of the book covers Stoker’s creation of the novel and then its arrival on the stage and all of the issues that come along with such things. Skal talks of Stoker’s struggles with publishers, contemporaries such as Oscar Wilde, and other colorful characters. He also goes into a great deal of detail on the many difficulties that writers faced while attempting to transition the book to the stage.

Bram Stoker.

The second half of the book is roughly split into two sections: One covers the production and release of Universal’s 1931 classic film (and its Spanish language counterpart) and the other rushes through later cinematic and theater productions of the story and/or variations of it. Much attention is given to Bela Lugosi, as is expected, but Skal also talks about Carlos Villarias (the Spanish language version of Count Dracula) and the contrasting directing styles of Tod Browning and George Melford (with a few nudges from Paul Kohner). From there, Skal rushes somewhat through later versions of the film including the Hammer Horror productions starring Christopher Lee, Francis Ford Coppola’s over-the-top film starring Gary Oldman, and eventually ends with films and plays produced in the early 2000’s.

Skal also includes some great photographs from the history of Dracula and all of the films and plays that it spawned. Many of the photos come directly from Skal’s own collection. Also included are images of posters and advertisements. Skal also includes two appendices. One covers the release of films and the other covers a number of the plays that have been released over the years that are either adaptations of Stoker’s story or a variation of it.

Skal’s book is an informative and entertaining read. You’ll gain a new appreciation for people such as Florence Stoker, Horace Loveright, and Carl and Junior Laemmle. You’ll also learn of the fallout after the release of Dracula and the way that it destroyed some careers and lifted others. My only complaint is that the last quarter of the book feels rushed. It has been revised and hopefully Skal will add more to later editions of the book. Until then, consider Hollywood Gothic to be the best source for all things Dracula.

Thanks for reading my review. I’ll be posting more later this week.

A Different Christmas

2020 Has Not Been Kind

Christmas is only a few days away. Normally I would be excited and well into a month full of classic Christmas films, newer Hallmark Christmas films (yes, I know, leave me alone), and purchasing a couple of cool new ornaments. Instead, my family and I are staying with my parents and waiting for our home to be restored after being destroyed by Hurricane Laura. I’m staring at my mom’s Christmas tree wondering if the Teenage Mutant Ninja Turtles ornaments that we’ve had for a few years now survived the hurricane because they, along with a ton of other nerdy Christmas ornaments, were stored in our attic which was flooded by the rains from both Laura and Hurricane Delta. I haven’t been able to get up there long enough to check on the few boxes that we have left up there. I lost both an aunt and an uncle during all of this mess as well.

I’ve been listening to Christmas music since before Thanksgiving hoping that it would somehow brighten my spirits. I’ve only recently been able to return to church now that work is finally starting to allow us to take off a day or two a week yet I sit in the pew distracted. I’m completely detached from Christmas this year. I’m lost. I don’t know what to do in order to right this ship.

Despite all of this, I know that there are plenty of other people out there struggling with much bigger problems than mine. Yes, I’ve been working twelve hour days since Hurricane Laura hit, but at least I’m working. My family has a roof over its head. We have enough money to provide presents for ourselves and others. We aren’t starving. We aren’t desperate for any immediate needs.

Still, I’m very depressed this year. Normally I would make a nerdy Christmas list around this time, but this year I’m going to say only one thing:

I love each and every one of you and I hope that you have a wonderful Christmas. If you are going through tough times, call or reach out to someone. Talk to them. Cry if necessary. Get your issues out in the open.

Thank you for reading this brief post. May God bless each and every one of you now and in the coming year.

Mulan (2020)

My “reflection” on this film

1998’s animated Disney film Mulan is one of my favorite films. It managed to blend brilliant action sequences (that awesome avalanche scene) with an engaging and inspired tale. The 2020 version of the film attempts to do something similar with a few changes, additions, and removals and, to a degree, it succeeds. I enjoyed the film as I watched it, but I kept feeling as if something was missing. Read on to get my opinion on the film. There are a few spoilers in my review, but nothing too major.

The film’s plot is essentially the same as the animated film: Mulan, a misfit in her community, disguises herself as a boy in order to take her injured and aging father’s place in the Emperor’s army as it wages a defensive battle against a sinister invading force. Along the way she learns to be true to herself and shatters cultural barriers for women in the process.

There are also quite a few changes to the story, especially when it comes to the supporting characters. Most notably, there is no Mushu, Cri-Kee, Shan Yu, or Li Shiang. Instead, Bori Khan, a Rouran warrior determined to avenge his father’s death, replaces Shan Yu as the primary threat and, at least according to numerous sources including the production team, Li Shiang is replaced by two characters, Commander Tung and Chen Honghui. Shan Yu’s falcon from the animated film is replaced by a shapeshifting “witch” named Xianniang who joins forces with Bori Khan to overthrow the emperor.

Perhaps the biggest change of all was the addition of Mulan’s chi giving her superhuman powers. There are plenty of other reviews and critical lists about this film where you can see why the treatment of chi was disappointing to many, so I’ll let those people discuss that aspect of the film.

In all honesty, these changes didn’t bother me one bit. I viewed the film as its own movie and not as an adaptation of the animated classic.

I enjoyed this film. Director Niki Caro did especially well with character development. She quickly established the roles of the secondary characters and used the bulk of the film to develop Mulan. She hinted at the romance between Mulan and Chen without having it get in the way of the main plot. The action sequences were very good but could have been better. I’ll go more in depth on that topic in a minute. The music by Harry Gregson-Williams, a composer I have grown to love over the years, was epic when necessary and subdued when it aided the plot. Cinematographer Mandy Walker really shined with this film. There are many breathtaking wide shots (both real and CGI) that pop with color throughout the film.

The cast was excellent as well. Liu Yifei does an excellent job as Mulan. Donnie Yen’s performance as Commander Tung is very good as are the performances of Jason Scott Lee as Bori Khan and Yoson An as Chen. Of special note is Gong Li as Xianniang. Her character could have easily become an unintentionally funny character, but she made the “witch” both fierce and weak at the same time. I honestly wouldn’t mind seeing a film focus on her character. The rest of the cast, which includes Jet Li, Tzi Ma, Rosalind Chao, and Ron Yuan, all did admirable jobs in their roles. Of special note is a brief cameo by Ming-Na Wen, who voiced Mulan in the 1998 animated film.

My biggest gripe with this film is the action sequences. Yes, many of them were grand, but all of them seemed to be missing something. With nods to Wuxia films, the fight sequences included wall-walking, superhuman jumps, punches, and kicks, and excellent swordplay, but all of them just seemed to be too short. Just as things start to get going during the fighting sequences, the action swiftly ends. Sure, this is a Disney film so I don’t expect it to be full of blood and gore, but I would expect the fights to last a bit longer. In fact, the battle sequences in the animated film are superior to the live action movie in my opinion. With stars such as Yifei, Yen, Li, Lee, and more known for doing many and/or all of their own stunts, I believe that this movie missed out on a great opportunity to bring Wuxia to a large audience.

Had the film done a better job with the fight sequences, I would have enjoyed it a lot more. As it is, though, it’s still a very good film. I can’t comment on the cultural aspects of the movie as I’m not well versed on Chinese culture. The film was beautifully shot, had excellent pacing, and had a great moral of being true to oneself. If you enjoy war epics, this film might fall a bit short, but it’s still a very serviceable film. I liked it.

Thanks for reading my review. Let me know what you thought of the film in the comments section. I’ll have another film review coming soon!

The Mandalorian Chapter 15

The Believer

Last week’s episode of The Mandalorian brought back one of my favorite characters, the mouthy sharpshooter named Mayfield. The character was teased in Chapter 14 and returned in all of his sharp tongued glory. In the episode, Din needs the coordinates to Moff Gideon’s ship where Grogu is being held captive. In order to get those coordinates, he needs access to an Imperial terminal. To get to the terminal, he needs Imperial credentials. That’s where Mayfield comes into the picture. As a former Imperial sniper, Mayfield can acquire the information that Din needs. Cara Dune, now a New Republic Marshall, gains the release of Mayfield from the Karthon Chop Fields where he is serving his sentence. Along with Fennec Shand and Boba Fett, the group go to a rhydonium refinery on Morak in order to access an Imperial terminal. A train caper follows when Mayfield and Din commandeer a rhydonium transport in order to get into the refinery but end up biting off more than they can chew. Do they survive? Will Boba Fett, Fennec Shand, and Cara Dune be able to help them? You’ll have to watch the episode in order to find out.

This was an excellent episode. The train caper was fun and reminded me of every old fashioned train fight that you see in classic western films. There are also hints of Speed (1994) in the scene as the transport can’t go too fast or it will trigger the rhydonium and destroy Mayfield, Din, and anybody else in the vicinity. The episode also shows how terrible things were under the New Republic. Sure, things were improving, but the world after the fall of the Empire was still in the early recovery stages and it was ripe for picking by Imperial sympathizers and hangers on. Bill Burr’s Mayfield gives an excellent explanation of how things aren’t necessarily better under the New Republic and an old acquaintance that he runs into later in the episode reveals just how easily the Empire can return to its glory.

Director Rick Famuyiwa, who has directed two other episodes in the series so far, kept things interesting while still expanding the story as a whole. Both Mayfield and Din are given more depth, especially Mayfield, and Famuyiwa uses the camera perfectly while shooting the interactions between the main characters and others. This was a solid episode and definitely worth watching.

Spoilers Below!!!!!

Bill Burr was amazing in this episode. He went from a likeable jerk to a true hero in a matter of minutes and by the end of the episode, Mayfield became possibly more respectable than even Din or Cara Dune (Gina Carano). Boba Fett (Temuera Morrison), Fennec Shand (Ming-Na Wen), and Cara Dune didn’t factor heavily into this episode and stayed in the background while Pedro Pascal and Burr gave two of the best acting performances in the series so far.

The pirate sequence featuring the transport hijacked by Mayfield and the Mandalorian could have easily become boring, but it managed to stay interesting, surprisingly fresh, and oddly familiar all at the same time. Once the duo entered the refinery, Burr delivered a tour de force performance as he went from cool head to nervous wreck and then lethal killer. Richard Brake did a superb job as Valin Hess, Mayfield’s former commanding officer. He triggers Mayfield’s rage and suffers the consequences. I also loved the interaction between Din and Mayfield whenever the Mando removes his helmet. Mayfield’s show of respect by turning slightly away from Din spoke volumes!

It was also pretty cool to see Slave I firing a seismic charge. It brought back memories from the space battle between Obi-Wan Kenobi (Ewan McGregor) and Jango Fett with a young Boba (Daniel Logan) in tow in Attack of the Clones. I also enjoyed the blunt threat that Din delivered to Moff Gideon (Giancarlo Esposito) at the end of the episode. It promises a huge battle between those two and I can’t wait to see it.

Thanks for checking out my review. I’ll have another for the next episode on the next Friday! Let me know in the comments how you felt about this episode and what you hope to see in future installments of the show!

Jeremy Bulloch, The Original Boba Fett, Has Passed Away

Rest in peace, Boba Fett

I am sad to report the passing of Jeremy Bulloch, who portrayed Boba Fett in the original Star Wars Trilogy. Here is an article that verifies the sad news. We lost David Prowse, the actor who portrayed Darth Vader in the original trilogy (voiced by James Earle Jones), last month.

I met Mr. Bulloch at Comicpalooza a few years ago in Houston, TX. Both he and his wife were extremely kind to me and all of the excited fans that were lined up to meet their favorite bounty hunter.

I’ll be watching The Empire Strikes Back this weekend. You should watch it as well. If you are a Doctor Who fan, look up the classic First Doctor story, The Space Museum, and the Third Doctor story, The Time Warrior. Bulloch appeared in both of those stories. He also appeared briefly in other roles in the Star Wars films, including one appearance in the prequels as Bail Organa’s pilot, Colton.

Bulloch was seventy-five years old. He will be sorely missed by the Star Wars fan community.

Thank you for reading this post. I will be posting my review of last week’s episode of The Mandalorian tomorrow morning.

Star Wars The Black Series: Phase I Clone Trooper

From Star Wars Episode II: Attack of the Clones

Despite being my least favorite Star Wars film of all, Attack of the Clones has a few things going for it. There’s the introduction of Jango Fett and a young Boba Fett, the brief appearance of Zam Wesell, and some of the best Obi-Wan Kenobi moments in all of the trilogies as a whole. It’s also the film that gives us our first good look at the Republic’s clone army. Fully CGI, the clones still managed to look cool and were fleshed out with perfection in the animated Clone Wars film and animated series.

Hasbro recently released a ton of new The Black Series figures, and one of them quickly caught my eye: The Phase I Clone Trooper. Sure, there have been other clone figures released in this line, but this one was different. Seeing various reviews of the figure, I decided to take the plunge and grab one of these figures. I’m glad that I did.

The figure comes with excellent articulation for the most part. As is almost always the case with clones and Stormtroopers, though, the armor does hinder the figure’s movement in a few places, most notably at the hip. The shoulder pieces, knee guards, and elbow guards are all soft plastic, though, and don’t get in the way of movement. The head is hindered somewhat when trying to tilt the head up due to the helmet, but overall, I can’t complain at all about the articulation of this figure.

The details on the figure are excellent as well. The paint application is done nicely with the exception of around the back of the knees on my figure. The hands hold the included weapons (DC-15A Blaster Rifle and DC-15S Blaster Carbine) securely and thanks to the awesome articulation, the figure can be posed in a number of cool ways.

I hope that you enjoyed this brief look at the newly released Phase I Clone Trooper from The Black Series by Hasbro. Let me know in the comments if you have this figure and what you think of it. Also, I have quite a few older Black Series figures, and if you’d like me to review any of them, just let me know!

Thanks for reading my post. See you again real soon!

The Mandalorian Season 2 Chapter 14

The Tragedy

In last week’s episode of The Mandalorian, our hero brought young Grogu to the ruins of an ancient temple on Tython. The Mando places Grogu upon the seeing stone in the temple ruins, hoping that the youngster will make a connection with a Jedi willing to train him. Everything is just fine until not one, but two unexpected visitors arrive on the planet.

The episode has a few funny moments between Din Djarin and Grogu. It also strengthens the bond between the duo as their father/son relationship continues to grow. As I mentioned, two unexpected visitors arrive on Tython while Grogu is seated on the seeing stone. The Mando forms an alliance with one of the visitors and this leads to a stand off with the other one. I’ll spoil that surprise later in this post.

The episode was directed by Robert Rodriguez (El Mariachi, The Adventures of Sharkboy and Lavagirl, Machete) and his influence can be seen throughout the episode. From certain visitors flying down to the planet to the big shootout/beatdown, parts of this episode scream Rodriguez. There’s also the return of a beloved character from the original trilogy and a few faces introduced during both seasons of The Mandalorian. There’s been a ton of praise for the episode because of this, and I honestly believe that the grand entrance by one returning character clouded the minds of fanboys, making them believe that this is the greatest episode of the series so far.

Well, it’s pretty good, but far from the best episode of the series in my opinion.

Spoilers Below!!!!! You’ve been warned!!!!

Even folks that have absolutely zero interest in the Star Wars franchise know who the returning original trilogy character is in this episode. He was first shown as an observer in the first episode of the second season, but he really gets to shine in Chapter 14. That character is Boba Fett and I have to admit that whenever I saw Slave I cruising down to the surface of Tython, eight year old me jumped for joy. That being said, in typical Rodriguez style, the bulk of the episode was a showcase for action.

Temuera Morrison takes on the role of Boba Fett as an aged bounty hunter who has obviously been through hell. Scarred, slightly overweight, and really, really angry, all Boba Fett wants from Din Djarin is his armor. Din doesn’t believe that the armor belongs to Boba Fett even after Boba explains that it was his father’s armor (Jango Fett, also played by Morrison in the prequel trilogy) and the pair have a brief standoff. Along for the ride with Boba Fett is the returning Fennec Shand (Ming-Na Wen), who reminds Din that the “asset” has a huge price on its head. Not long after, Imperial forces arrive on Tython and Din, Boba, and Fennec all agree to protect Grogu in return for Boba’s armor. If you’ve ever watched any Robert Rodriguez film, you know what happens next: a massive action scene that fills out the bulk of the episode with an amazing score accompanying it.

Basically, Boba Fett beats the crap out of a ton of stormtroopers and Fennec helps him while Din attempts to break into the Force force field surrounding Grogu. As the battle continues, Din is distracted by the stormtroopers and eventually loses Grogu to four Dark Troopers sent down by Moff Gideon (Giancarlo Esposito) to retrieve him. To top it all off, Gideon has Din’s ship, the Razor Crest, disintegrated on the spot, leaving him only the Beskar spear that he earned in the prior episode. Boba Fett and Fennec Shand agree to help Din save Grogu and the Mando also enlists the aid of Cara Dune (Gina Carano) in order to bust another returning character, Migs Mayfield (Bill Burr), out of prison.

As I’ve already stated, this episode is loaded with action. Unlike the whiz-bang action of earlier episodes, Chapter 14’s action is much more brutal. It gives Boba Fett a proper live action fight sequence and this is primarily due to the direction of Rodriguez, who handles the action scenes perfectly. That being said, all of the character development is found at the very beginning and very end of the episode and that’s sort of a downer in my book. I still enjoyed the episode and it was fun to see Boba Fett whip up on some folks, but the episode felt a bit too “forced” for my tastes. It’s good, but nothing special.

Thanks for reading my post. Let me know how you felt about this episode. Did you get caught up in the Boba Fett action? Maybe I need to lighten up? If so, tell me in the comments!

Cosplay Break: The d’Arda Sisters

Remi and Noelle

I met the d’Arda Sisters at the Houston Con back in 2014. Not only were their costumes amazing, this dynamic duo was friendly as well, chatting with myself and others working booths in that section of the convention. I haven’t had a chance to see them at a convention since that time but I follow them on Facebook and Instagram. I’m especially fond of their Instagram feed as they post everything from behind-the-scenes cosplay photos to tech posts and go live every now and then. They also have a Storenvy site where you can purchase prints directly from them.

Remi d’Arda (Photo by ModelMosa)

Some of my favorite cosplays by these young ladies include Power Girl, Ms. Marvel, Supergirl, and Mockingbird. They’ve created plenty of other cosplays over the years and you should check out their work on social media.

Noelle d’Arda (Photo by ModelMosa)

These young ladies are extremely cool and I highly recommend meeting them if you ever get the chance. Hopefully our paths will cross again someday and I can get a quick interview with them for my blog.

Remi d’Arda (Photo by Maze Studio)

If you’ve ever met the d’Arda Sisters, let me know in the comments. Also, be sure to check out their work on social media and show them a little love by purchasing a print or two from their shop!

Noelle d’Arda (Photo by Maze Studio)

The d’Arda Sisters were not made aware of this post. It’s simply an appreciation post.

Thanks for checking out this second entry in my Cosplay Break series. If you are a cosplayer or know someone who cosplays and would like to be featured in this series, send me a message with your contact information.

Oh, and here’s a shot from the time that I met these wonderful ladies!

Mega Construx MOTU Set: Panthor At Point Dread

“Why Do I Surround Myself With Fools?”

Mega Construx outdid themselves with the Panthor At Point Dread set. At five hundred and fifty seven pieces (many of which are very small), this was a fun and challenging set to put together. It comes with three figures: Zodac, Sorceress, and Battle Armor Skeletor. Also included are a small version of Zoar and Panthor, whose armor can be removed.

The set is built from ten numbered bags and a few other bags that include a smaller pieces and a tool to aid in the construction of the set. My set came with an addendum of small blue pieces that are used in place of similar pieces in the set. I’m not sure why the pieces were in this set, as they look and feel exactly like the pieces that they are replacing in my opinion.

You start the set by building the three figures, Zoar, and Panthor. From there you build Point Dread. Building Point Dread was extremely fun. It was also time consuming as some of the pieces are put together in an intricate manner. That being said, the time flew by as I put this particular item together.

After putting Point Dread together, the final piece is the Talon Fighter. Again, some of the pieces were arranged in an intricate manner, but they were so much fun to assemble! The Talon Fighter didn’t seem to take as long to assemble, but it was definitely an exciting build.

The cockpit on the Talon Fighter opens and closes and you can put the figures inside of it. Two side cannons fire red missiles with a cool firing switch as well. Point Dread’s computer swivels and features some awesome graphics.

Point Dread can be attached to the Castle Grayskull set. There are a few additional pieces that come with this set that allow you to do that, so don’t toss any “extra” pieces away. As far as extra pieces go, there were quite a few of them that came with this set.

I highly recommend this set. Clear off a table, open up the bags, set the pieces out, and get ready to have fun with this fantastic set!

Thanks for reading my post. Let me know what you think about this or any other Mega Construx Masters of the Universe set!

Classic Horror: The Amityville Horror (1979)

“For God’s Sake, Get Out!”

Despite being panned by critics, 1979’s The Amityville Horror rose above the negative press to become one of the most financially successful independent films of all time. The cast included James Brolin, Margot Kidder, and Rod Steiger. Brolin and Steiger were already well established actors and Kidder, despite having been acting for quite sometime, was just beginning to ride the success of her appearance as Lois Lane in 1978’s Superman. The film is based on the titular book by Jay Anson which in turn was based on the paranormal experiences of the Lutz family in Amityville, New York in one month of terror in 1975.

Brolin and Kidder as George and Kathy Lutz.

The film opens with the brutal murder of the DeFeo family from the viewpoint of the murderer, eldest son Ronald. The film then jumps ahead one year to a scene of George and Kathy Lutz (Brolin and Kidder) touring the home and deciding to purchase it despite its dark history. As the family settles into their new home, odd things begin happening. The first incident involves Kathy’s friend, Father Delaney (Steiger), who becomes violently sick while attempting to bless the home. He runs out of the home in fear, the family unaware that he is even on the property. From there, more strange things happen. The phone line fills with static, one of Kathy’s sons is injured when a window slams down on his hand, her daughter’s imaginary friend, Jody, is blamed for locking the babysitter in the closet and lashing out at family members on a number of occasions, and George seems to spiral into insanity, constantly chopping wood for the home’s fireplace and becoming violently angry with the family.

Steiger as Father Delaney.

As things become worse, Kathy attempts to get help from Father Delaney, who seems to be MIA all of a sudden. In actuality, he makes a number of attempts to return to the home with the help of another priest, Father Bolen (Don Stroud), but is stopped by what appear to be supernatural forces. When George’s friend and co-worker, Jeff (Michael Sacks), and his wife, Carolyn (Helen Shaver), come over to babysit the kids so that George and Kathy can take a break from the home, Carolyn discovers a secondary room in the basement. From there, things really spiral out of control and the family has to do battle with a malevolent force. Do they survive? Does George succumb to the demands of the demonic forces to kill his family? You’ll have to check out The Amityville Horror to find out!

Natasha Ryan as Amy Lutz and Amy’s brothers, Greg and Matt (K.C. Martel and Meeno Peluce) in the window above her.

The film works well on a number of levels. For starters, the music by Lalo Schifrin was amazing. The score was nominated for an Academy Award and deservedly so. The film’s cast is also superb, especially Brolin and Shaver, who both portray characters that seem to lose their minds at different points in the film. Steiger’s role is somewhat limited and Kidder proves to be the anchor for the audience. She does her best to keep it together but even she gives in to the evil forces at times. The special effects are limited to glowing eyes, black ooze coming from the toilets, and an amazing sequence where the walls bleed during the film’s climax. These effects work quite well, especially the bleeding walls. The film’s setting has become iconic. The house featured in the film is probably known just as well as the faces of Freddy Krueger, Michael Myers, and Jason Voorhees.

The only real complaint that I have about this film is that the pacing is off in the first act. The film drags on from day to day until the second act finally begins to ramp up both the action and the plot. There are some genuinely spooky moments in this film and thankfully there are enough of them to pull the viewer out of the plodding first act.

Shaver and Sacks as Carolyn and Jeff.

If you haven’t watched The Amityville Horror or have only seen the boring 2005 remake or any of the multiple sequels (all of which are pretty bad except for Amityville II: The Possession (1982) which is pretty decent), I highly recommend it. It’s not the greatest horror film ever made, but it works on a ton of levels and features awesome performances from almost the entire cast.

Thanks for checking out my trip down nightmare lane with The Amityville Horror. Tell me your thoughts on the film in the comments and let me know if there are any films that you’d like me to review as well.