Throwback Thursday: The Music Of DC Comics (2010, 2016)

The Sound Of Superheroes

Founded in 1934, DC Comics has made its mark on the printed page, the small screen, and the big screen.  With its new subscription streaming service, DC Universe, officially underway, the world of heroes such as Superman, Batman, and Wonder Woman, has become even more available to anyone with a device connected to the web.  The streaming service will offer everything from original content to a rotating catalogue of classic films, cartoons, and television programs.

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While not everything that DC has put out has been a hit, there have been plenty of films, cartoons, and television shows that have left their mark on pop culture.  We’ve all hummed along to the Batman (1966) theme song and who hasn’t puffed out their chest and pretended to fly when hearing the iconic Theme From Superman from John Williams’ score for the 1978 film?

In September of 2010, DC Comics released The Music of DC Comics: 75th Anniversary Collection as a celebration of the music that accompanied the live action and animated content from DC.  At first you might not think that comic books and music make a good pair, but you’d be wrong.  By just listening to the first few tracks on this album, you realize just how important music is to building up a character or setting the tone for a film or series.

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The collection features quite a few expected tracks such as the previously mentioned Superman film theme and the 60’s Batman theme, but it also features plenty of other songs that take you on a trip down memory lane.  The tracks are listed by hero and include voice overs and sound effects.  Starting with Superman and ending with Wonder Woman, the album covers decades worth of great music from films and shows featuring characters like Swamp Thing, Plastic Man, The Flash, and lesser known heroes that you might not have known had their own shows like Hawkman and The Atom.

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Some of my personal favorites from the album include the Batman Beyond theme from 1999, Green Lantern First Flight from the 2009 animated film, and Batman: The Electrical Brain from the classic 1943 serial.  It also included Danny Elfman’s iconic The Batman Theme from Tim Burton’s 1989 film.

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As massive as the collection is (featuring thirty-one tracks), it is far from complete.  There is a ton of musical content related to DC Comics and its many characters and it would be very difficult to include all of those tunes on a disc.  Thankfully DC released released twenty-nine more tracks in July of 2016 with The Music of DC Comics: Vol. 2.

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This volume proved to the fans that there’s way more music to explore in the DC Universe than one might initially believe.  While the first collection featured some of the most recognizable tracks that one might think of, it was missing a few big tunes as well.  Starting with Superman and ending with Wonder Woman once again, Volume 2 gave us songs such as Danny Elfman’s Batman: The Animated Series (1996) theme and The Flash TV Series Theme from 1990.  It also included songs from series featuring characters such as Metamorpho, Legends of Tomorrow, Supergirl, and DC’s recent DC Superhero Girls theme.

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Volume 2 offered even more juicy tracks like Mark Hamill’s Joker singing Jingle Bells Batman Smells from the classic Christmas With The Joker episode of Batman: The Animated Series and Mischeif (Harley Quinn’s Theme) from the 2015 Infinite Crisis game. It also featured a number of selections from the surf guitar heavy The Sensational Guitars of Dan and Dale.

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While both of these volumes have some great music on them, there’s still enough music left for even more volumes.  It would be really cool if DC started releasing character focused albums that feature music strictly from individual characters.  It would be great to have an entire volume of music collected from the entire legacy of characters such as Batman, Superman, and the rest.  Hopefully the upcoming Wonder Woman, Aquaman, and Shazam! films will be successful enough that more volumes will be released that focus solely on those characters and others.

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As always, thanks for taking a trip down memory lane with me.  I’ll be posting again in the very near future about some upcoming events that I’ll be attending.  I hope to see you there!

 

 

Ooooh, That Smell!

Somewhere in the 1950’s

Every once in awhile I watch a film knowing that it’s going to be bad.  Everything about the film, from the title to the plot description, screams “bad movie” but I watch it anyway.  Why?  Because sometimes you just have to watch a bad movie for the fun of it.  I Was A Teenage Wereskunk is one such movie, but it is intentionally bad in a good way.

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Neal McLaughlin wrote and directed this cheesy B-movie that makes fun of and pays homage to classic horror films from the 1950’s that featured primarily at drive-in theaters.  Obviously one of the films that inspired this movie is I Was A Teenage Werewolf, which featured a young Michael Landon (Little House on the Prairie, Highway to Heaven) and Guy Williams (Lost In Space, Zorro).  From the transformation sequence to the use of a trigger to start the transformation, there are a few nice nods to that classic film.

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In the film, Curtis Albright (Scott Monahan) struggles with his relationship with Mary Beth (Shey Lyn Zanotti).  He’s not sure if he should ask her to be his “steady” despite tons of pressure from his friend, Jerry (Jonathan Rosetti), who has plans of his own with Sally (Christian Drerup).  He also gets involved with a local beatnik and bad seed named Finn (Sean Cork), who encourages Curtis to drink alcohol, smoke cigarettes, and trespass on another person’s property in order to enjoy some time at the pool with some tragically hirsute lady friends.

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As the film rolls along, Curtis comes into contact with a skunk that sprays him while he’s in a state of “excitement” while peeking into the window of the local veterinarian, Dr. Nancy (Dawn Brodey).  He soon finds himself transforming into a wereskunk any time that he becomes aroused and he goes on a killing spree.

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His father, Sheriff Albright (Charlie Farrell), teams up with officers Maggie (Amy Heidt) and Gary (Melanie Minichino in one of two roles in the film) in order to track down the savage murderer terrorizing their town.  When he learns that it’s his son, things get very complicated.  Can the sheriff stop the beast?  Will Mary Beth go all the way with Curtis?  What’s up with Curtis’ mom and dad and circus clowns????  You’ll have to watch every terrifying moment of I Was A Teenage Wereskunk to find out!

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The film is very fun to watch.  The cast and crew are in on the joke the entire time and have plenty of fun letting the viewer know this fact.  The cast channels stereotypical characters from 1950’s cinema and deliver dialogue in a similar tone as well.  A couple of the characters appear to be trapped in different films or even different times.  Officer Gary is portrayed as a bungling cop reminiscent of Barney Fife (but with a lot more attitude) or any of a number of comic relief officers featured heavily in comedies throughout cinematic history.  Officer Maggie uses texts and references Google and Harry Potter in the film, drawing strange looks from the other characters.  She’s actually one of my favorite characters in the film.

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I also enjoyed the chemistry between Sheriff Albright and Mrs. Albright (the second character portrayed by Minichino in the film).  Their relationship is intentionally adult and out of place in this otherwise wholesome film.  It pokes fun at the idea of relationships between parents in the 50’s as being spent in separate beds and with absolutely no “dirty talk” or amorous actions.  Minichino’s look was hilarious every single time that the sheriff made an off color remark.  There’s also another moment in the film featuring some very strong and very out of place dialogue by Mary Beth.  It comes out of nowhere and makes for a hilarious moment in the film.

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This movie is fun.  It’s cheesy, full of innocently disguised adult humor, and worth a watch.  It’s definitely not one of the greatest films that you’ll ever see, but it’s perfect for a rainy afternoon, especially if you’re a fan of cheesy horror films like Tarantula! and Robot Monster.

As always, thank you for checking out my blog.  Let me know if you’ve watched this film and if you enjoyed it.  It’s not for everyone, but for those of us that “get it,” it’s a fun flick.

All photos taken from the I Was A Teenage Wereskunk Facebook page except for the header image, which I found using Google.  Visit their page and give them a little love.

 

This Ain’t No Three Hour Tour!

Crescent Bay Retirement Community

With Halloween just over a month away and the leaves starting to turn, I’ve been on a horror kick.  Horror films are hit and miss on Netflix and Amazon Prime and I often find myself checking out of a movie before it’s over.  Last night, Amazon delivered with Late Phases (sometimes listed as Late Phases: Night of the Lone Wolf).  I’m a sucker for werewolf flicks and this film had a really interesting plot that runs a little bit deeper than one might think.

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The film stars Nick Damici, best known as both a writer and the star of horror flicks Stake Land and Mulberry Street.  Damici portrays Ambrose McKinley, a  blind Vietnam veteran who moves into the Crescent Bay Retirement Community to live out his final years.  With him is his service dog, Shadow, who helps him get around.

Mild spoilers and a creature test shot reveal ahead!!!!

Ambrose moves into the community with the help of his son, Will (Ethan Embry of Sneaky Pete, Can’t Hardly Wait, Empire Records), who appears to want to help his father but ultimately leaves him to his own devices.

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On his first day in his new home, Ambrose meets his neighbor, Delores (Karen Lynn Gorney of All My Children).  They become fast friends as the pair lightly flirt with one another.  He also discovers a claw rip in his wall and finds a piece of one of the claws left behind.  Later on, Ambrose is “welcomed” to the community by a trio of its other residents, Clarissa (Tina Louise of Gilligan’s Island), Emma (Caitlin O’Heaney), and Gloria (Rutanya Alda).  The ladies come off as snobbish and Ambrose quickly lets them know that he’s not the kind of person to take much BS from anyone.

As Ambrose settles down for his first evening in the community, he and Shadow are alarmed to loud screams and growling noises from Delores’ side of the duplex.  Ambrose bangs on the wall and asks if she’s okay, but soon finds out that a large beast is attacking her.  Once it kills Delores, it is attracted to Ambrose’s home by his noise and the barking of Shadow.  The beast bursts through the wall and attacks Ambrose.  Shadow manages to fight the creature off long enough for Ambrose to find his gun.  He fires in the direction of the beast (remember that he’s blind) and manages to scare it away, but not before it manages to mortally wound Shadow.

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Ambrose brings Shadow’s body to the local veterinarian to determine what type of creature killed him and the veterinarian tells him that at first glance it could be a dog, but she never comes out and says that it actually is a dog or any other animal.  Police investigate the attack on Delores and Ambrose and write it off as “another animal attack” in the community.  They tell Ambrose that these attacks are a monthly occurrence and most likely due to the close proximity of the community to the forest.  Ambrose immediately believes that he’s dealing with a werewolf.

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Ambrose, knowing that he has one month to prepare, sets out to kill the beast.  His month long preparation involves getting to know potential suspects such as fellow residents, the local priest named Father Roger (Tom Noonan of The Monster Squad and Robocop 2), and a resident of the community who set up a shuttle service to the church named Mr. Griffin (Lance Guest of The Last Starfighter and Jaws: The Revenge).  Ambrose also has silver bullets and one silver shotgun shell made for his guns and creates a booby trap.

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As the next full moon approaches, Ambrose amps up his investigation and the werewolf soon realizes that he/she has been discovered.  In order to beef up its chance for survival, the werewolf recruits unwilling members of the community to aid it in its battle with Ambrose by turning them into werewolves.  Ambrose and the pack square off at the climax of the film.  Who is the werewolf?  Does Ambrose survive?  Do you prefer Ginger or Mary Ann??? While that debate will continue to the end of time, you’ll have to watch Late Phases to find out about the werewolf and Ambrose!

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The film works quite well as a traditional werewolf film.  The hero uses the tried and true method of silver bullets to battle the creature and while the beast is supernaturally strong, it’s not so strong that it is unbelievable that Ambrose and Shadow could fight it and not be instantly murdered.  The person that is the werewolf also shows some slight remorse for their actions, but succumbs to the bloodlust quickly once the change occurs.

The film also takes a subtle look at how the elderly are written off by society.  Will has a strained relationship with his father and while appearing to want to assist him on the surface, you can see that he’s really hoping for a way to free himself of the “burden” of his father.  Despite monthly brutal murders, the police seem disinterested in investigating the attacks because it’s just crazy old folks that are too weak or too dumb to fight off the wild animal that is attacking them.  Even the security guard at the front gate hauls tail once things get furry in the film’s climax.

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The cast is excellent, especially Damici and Guest.  Damici carries the bulk of the film by himself, with the supporting characters coming into the story to build and frame Ambrose.  Damici is believable in the role and while he has a few humorous lines in the film, he never goes in any absurd direction with the character.  You’d expect an old guy like Ambrose to act exactly how Damici portrays him in the film.

Despite seeing Lance Guest’s name in the opening credits, it didn’t register with me that he was Griffin until the film ended.  He really became that character in the movie.

The creature effects were almost entirely practical with just a few unnoticeable CGI touch ups.  The creature’s transformation scene reminded me of An American Werewolf In London and The Company Of Wolves.  Its look appeared to be a combination of a lot of werewolves from various films including Dog Soldiers and The Howling.

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A test shot of one of the werewolves from Late Phases.

If you enjoy solid story telling and character development, give Late Phases a shot.  It definitely has a few weak moments, but it is still one of the better werewolf films from the last twenty or so years.

As always, thanks for reading.  If there are any werewolf flicks out there that you enjoy, let me know about them in the comments.  Also, if you’ve seen Late Phases, I’d love to hear your opinion about the film.  Ohhhhh! Be sure to let me know if you prefer Ginger or Mary Ann, too!!!!

 

 

 

Throwback Thursday: Man Of Steel (2013)

Five Years And A Few Months Ago

It’s hard to believe that it’s only been five years since 2013’s Man Of Steel was released.  So much has happened since the release of that film.  Batman Vs. Superman: Dawn of Justice, Suicide Squad, Wonder Woman, and Justice League have all been released in that time and three more films will be released within the next two years with Aquaman coming later this year and Shazam and Wonder Woman 1984 coming in 2019.  There are also plans for films featuring Cyborg, Green Lantern Corps, Black Adam, Flash, and Birds of Prey, as well as another standalone Batman film.

Each of the released films in the DCEU have been met with varying degrees of success and appreciation.  Wonder Woman is considered to be the crown jewel in the DCEU, with Man of Steel not too far behind.  The rest of the films have been scoffed at and hated by plenty of people, but they also have their fans.  I’m a fan of all of the DCEU films, but unlike a lot of folks, Man of Steel is my least favorite.

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So why am I revisiting the film?  Two reasons: 1) Apparently Henry Cavill (who portrays Superman in the DCEU) was either booted or got out of his contract with Warner Bros. and 2) it started the whole DCEU, so it’s pretty important whether I enjoyed it or not.

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The film starred Cavill, Amy Adams as Lois Lane, Michael Shannon as Zod, and Laurence Fishburne as Perry White.  The supporting cast included Diane Lane and Kevin Costner as Martha and Jonathan Kent (Clark’s parents), Antje Traue as Faora-Ul, a lieutenant in Zod’s army and one of his most loyal followers, Russell Crowe as Jor-El, Clark’s biological father, and Rebecca Buller as Jenny Jurwich, an intern under Perry White at the Daily Planet.

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The film gave us a much grimmer version of Superman, at least one unfamiliar to comic fans.  As Superman is always looked up to as a shining beacon of hope, his portrayal in the film as someone who was told to rein in his powers came as a bit of a slap in the face to general audiences.  It turned a lot of people off to the film and started a massive debate on why Superman allowed innocents to die in the film.

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The way I see it is that screenplay writers David S. Goyer (the Blade films, etc.) and Christopher Nolan (The Dark Knight Trilogy, among others), along with director Zack Snyder (300, Watchmen, BvS, etc.), hoped to give us a look at a being that was so totally unique in our world that he felt alone and misunderstood.  He struggled with his powers and whether or not he should use them.  Later films would show Superman grow into his own, but this film had a very hard task and managed to pull it off with some success.

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RUSSELL CROWE as Jor-El in Warner Bros. Pictures’ and Legendary Pictures’ action adventure “MAN OF STEEL,” a Warner Bros. Pictures release.

I still find the film to be a bit uneven, and actually enjoyed all of the other DCEU films more than this one.  I still watch it on occasion, but it’s not my go-to DC live action film.  When I’m in the mood for a DCEU flick, I usually go with Suicide Squad or Wonder Woman.

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My favorite character in the film was Faora-Ul.  Antje Traue was both fierce and beautiful in the role and I hoped that we would see more of her in later films.  That’s up in the air now since talks of Man of Steel 2 or any other film featuring Superman are on hold at the moment.  Hopefully Cavill will return in the role in at least one more movie, but I’m finding that opportunity to be slipping away faster with each passing day.

Cavill was very good as Clark Kent/Superman.  He’s not my favorite Superman, but I would place him at a solid second place just ahead of Brandon Routh.  Cavill was never given much to work with as Supes, but there were flashes of what could be in Justice League, especially once he flew in to help the rest of the gang when they were fighting Steppenwolf.

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There’s still so much potential in the DCEU, and I’d hate to see Cavill miss out on what looks like a brighter future thanks to the upcoming trio of films with Aquaman, Wonder Woman 1984, and Shazam!  DC’s characters are so much more iconic than the bulk of Marvel’s characters with just Captain America and Spider-Man being the exceptions in my opinion, and I’d love to see DC’s characters get a film that is truly great.

Ben Affleck, who portrays Batman in the DCEU, is also rumored to be out as the Dark Knight.  Hopefully the next few films will be better received by general audiences and both Cavill and Affleck will return.  Until then you can catch Cavill on the upcoming Netflix series, The Witcher.

Oh, and here’s a video of a moment in Man Of Steel that pays tribute to my favorite Superman, Christopher Reeve:

As always, thanks for reading.  Let me know what you think about Man Of Steel, BvS, or any of the other DCEU films in the comments section.

Throwback Thursday: The Nightmare Before Christmas (1993)

What’s This?

I apologize for posting two Tim Burton related Throwback Thursday topics in a row, but with Halloween right around the corner, you really can’t blame me.  Also, The Nightmare Before Christmas celebrates its twenty fifth anniversary on October 29th of this year, so it’s a perfect time to highlight this wonderful classic.

For those of you unfamiliar with this film, it’s the story of Jack Skellington, the Pumpkin King of Halloween Town who, despite loving Halloween, has “grown so tired of the same old thing” as he states in Jack’s Lament (more on the music later).  He manages to find himself in Christmas Town and upon returning to Halloween Town, decides that he and his citizens will take over Christmas that year.  Things go terribly, terribly wrong, and Jack has to save Santa Claus from the dastardly Oogie Boogie so that Christmas can be fixed.

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I’ll admit that I didn’t actually watch The Nightmare Before Christmas until just a few years ago when my son fell in love with the film.  After multiple viewings I, too, became a huge fan of the film.  The story features a sweet romance between Jack and Sally, and the other characters in the film, particularly Oogie Boogie, Lock, Shock, and Barrel, and Zero, were wonderful.

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The film has some very light scares for youngsters and is the perfect film to introduce children to the world of Tim Burton.  Burton produced the film, allowing Henry Selick to direct.  Burton developed the concept for the story around a decade prior to production.  It started as a poem and eventually morphed into Selick’s film.  It featured the voice talents of Chris Sarandon as Jack Skellington, Danny Elfman as Jack’s singing voice, Catherine O’Hara as Sally, and Ken Page as Oogie Boogie.  Paul Reubens (Pee Wee Herman), O’Hara, and Elfman joined forces to portray the evil trio of Lock, Shock, and Barrel, respectively, as well.

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Danny Elfman also took the reins on the film’s music.  Patrick Stewart (Star Trek: The Next Generation) provided narration for the prologue and epilogue.  The film featured a number of songs that have become very popular on their own including the aforementioned Jack’s Lament, This Is Halloween, Making Christmas, and my personal favorite, Kidnap The Sandy Claws.

The music was so popular that in 2008 Disney released an album of covers of the music from the film.  Marilyn Manson, Korn, Flyleaf, and The All-American Rejects are just a few of the artists that covered songs for the album.  The album is called Nightmare Revisited.  I own a copy of it and highly recommend it to anyone that loves the film or any of the artists involved with the project.

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One unique aspect of this film is that it can be viewed as both a Halloween film and as a Christmas movie.  My son and I basically watch it once a week from the beginning of September to Christmas Eve every year.  We love this film that much.

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If you’ve never seen this film, be sure to do so as soon as possible.  I regret not watching this film earlier than I did but am glad that I finally broke down and watched it.  Every year during Halloween and Christmas, there is plenty of paraphernalia to collect featuring characters from the film.  This year, a number of stores have exclusive collectibles celebrating the twenty fifth anniversary.  Walgreen’s always has some excellent exclusives and this year they have Funko Mystery Minis featuring characters from The Nightmare Before Christmas.

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I hope you enjoyed this brief look at one of my favorite films.  Let me know in the comments if you agree (or disagree) with me.  Also, let me know if there’s a specific film in the horror vein that you’d like me to review in an upcoming post.

As always, thanks for reading.  I’ll be posting again real soon!

The Numbers Game

Rockwell Falls

Over the long Labor Day weekend, my wife and I found ourselves sifting through tons of films on Amazon Prime and Netflix hoping to find one that we might enjoy.  We settled on  Population 436, a 2006 Canadian/US production that just so happened to be the film directorial debut of Michelle MacLaren.  You may not recognize her name, but you definitely know her work.  She’s directed multiple episodes of some of your favorite television series such as Game of Thrones, The Walking Dead, Better Call Saul, and Westworld, to name just a few.

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Penned by Michael Kingston, Population 436 is a fairly entertaining but highly predictable flick about a census bureau researcher named Steve Kady (Jeremy Sisto of Clueless, Six Feet Under, and Wrong Turn) who ventures out to the tiny town of Rockwell Falls where the community has always had a population of 436 residents.  What he finds is a town where the numbers really don’t add up when it comes to the friendly folks that call Rockwell Falls home.

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Kady pops two of the tires on his vehicle while entering the town, and is given a ride to the mayor’s office by a local deputy name Bobby Caine (Fred Durst of Limp Bizkit).  Despite appearing friendly on the surface, Kady begins to notice that the citizens of the town all act as if they have something to hide.  He gets to know a few of them including Courtney (Charlotte Sullivan of Rookie Blue), a lady that he is attracted to and that Bobby quietly loves as well.

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Kady starts making connections between the town’s obsession with the number 436, the Bible, and numerology.  He also starts uncovering some of the secrets of the town and sets out to see what is really going on with the citizens.  Many of them seem to have fallen ill with a fever that the local doctor has been treating for years.  There’s also an entire family that has apparently gone into hiding due to the fever.

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Things eventually come to a head at a festival in Rockwell Falls.  The festival is held “whenever necessary” throughout the year and Kady gets to witness what happens at the festival firsthand.  He then attempts to escape town with Courtney and a young girl named Amanda who loses her father in an accident at the beginning of the film.  You’ll have to watch the film in order to find out what happens next.

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The movie is okay.  MacLaren’s future potential as a director squeaks in at moments.  I can especially see hints of her work from The Walking Dead coming through at times.  The movie is a slow burner with only a few moments of action here and there.  If you’ve ever read or watched a version of the short story The Lottery by Shirley Jackson, you’ll quickly pick up on what’s going on in the film.  In fact, my wife and I figured out what was going on in the opening sequence of the film.  That doesn’t mean that the story is a bad one, just predictable.

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The cast does a pretty decent job.  Sisto carries most of the film but receives excellent support from Sullivan and multiple character actors such as Peter Outerbridge, Rick Skene, and Monica Parker.  The real treat is Fred Durst who, despite his over-the-top personality in real life (especially during the big years for Limp Bizkit), manages to do a pretty good job of playing the tenderhearted and somewhat quiet deputy Caine.

Population 436 is not a great film.  It would definitely work as a television movie which isn’t a surprise since its director has made her bread and butter in that realm.  I still enjoyed it, though, and if you ever find yourself huddled up in the house on a rainy day, you might want to check it out as well.

Thanks for reading my post.  This little indie flick was a nice treat.  Hopefully I’ll find a few more flicks like this one in the future.  I’ll be sure to let all of you know what I think about them as well.

 

Throwback Thursday: Beetlejuice (1988)

Day-OH!

Thirty years ago in March of 1988, a wonderfully bizarre film was released that featured established comedic actor Michael Keaton in one of his defining roles.  The film also featured early cinematic performances from Alec Baldwin and Geena Davis (Both had been in quite a few television shows prior to this movie.  Davis had been in a few popular films as well).  Comedic character actors Jeffrey Jones and Catherine O’Hara provided wonderful support and young Winona Ryder was at the beginning of a wildly successful string of hit films including this one.

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That film is Beetlejuice.

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The film’s director, Tim Burton, was also at the beginning of a successful run of films for himself.  Prior to the release of Beetlejuice, Burton was best known for Pee-Wee’s Big Adventure.  That film’s mainstream success introduced film goers to Burton’s unique style, but Beetlejuice would set the tone for the rest of his career.

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No Merchandising. Editorial Use Only. No Book Cover Usage. Mandatory Credit: Photo by Moviestore/REX/Shutterstock (1547787a) Beetlejuice (On Set) Film and Television

For those of you who haven’t seen the film, I won’t spoil it.  It’s basic plot, though, is that a recently deceased couple, Adam and Barbara Maitland (Baldwin, Davis) do not like the new tenants, Charles and Delia Deetz (Jones, O’Hara), that have taken over their quiet little home.  The new residents want to transform the home into modern art.  The Maitlands decide that they have to scare the Deetz family away and after multiple failed attempts, they get help from a shady “bio-exorcist” named Betelgeuse (Keaton).  Along the way they befriend the Deetz’ daughter, Lydia (Ryder), and she becomes involved in a scheme dreamed up by Beetlejuice in order for him to have free reign over terrifying the living.

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The film was a success and as stated before, the cast, Burton, and composer Danny Elfman would go on to bigger and better things.  The film spawned everything from a cartoon to video games and a musical play.

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I still watch Beetlejuice every once in awhile.  It’s not my favorite Tim Burton film (that would be a tie between 1989’s Batman and 1999’s Sleepy Hollow), but it’s definitely one of his best movies in my opinion. If you haven’t seen it yet, I highly recommend checking it out.

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As always, thanks for reading.  I’m pretty sure that I’ll be revisiting some more of Burton’s work in the near future, as he’s one of my favorite directors.

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Credit: [ THE KOBAL COLLECTION / GEFFEN/WARNER BROS ]

 

Shark Bait! Our Obsession With Shark Films

Don’t Go In The Water

Like tasting blood in the water, audiences have been lured to movie theaters to watch shark films for decades.  While 1956’s The Sharkfighters is considered the first shark attack film, it was 1975’s Jaws that really put the horror sub-genre on the map.  Within just a few years of Jaws‘ release, multiple shark films hit screens both big and small.  While most of them paled in comparison to the granddaddy of them all, these films consistently filled chairs at the movies.

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Films such as Cyclone, Mako: The Jaws of Death, and Great White capitalized on the success of Jaws. On television, movies like Shark Kill did so as well.  There were even three Jaws sequels, each worse than the previous one.  None of these films lived up to the popularity or excellent story of the original Jaws.  We would have to wait until 1999 before we got another solid shark film and that film was Deep Blue Sea.  Deep Blue Sea isn’t in the same league as Jaws, but it was an entertaining film that took a standard shark attack film and added the element of science messing with nature.  The sharks in the film, Mako sharks, managed to gain enhanced intelligence thanks to research on Alzheimer’s Disease by the female lead, Saffron Burrows.  The sharks then systematically eliminated the scientists and skeleton crew remaining in the research facility as they flooded each level in an attempt to gain access to open water.

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Despite the surprise success of Deep Blue Sea, it didn’t trigger another wave of shark attack films like Jaws.  Yes, there were a few moderately successful films to hit the big screen like Open Water and The Reef, but shark films have remained on the back burner at the theater with a few releasing over the last twenty years.

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Where shark attack films thrived post Deep Blue Sea was on the small screen and through direct-to-video/direct-to-digital options.  Most of these films were outright silly.  Each one seemed to try and outdo the absurdity of the previous one.  Almost all of them have been SyFy Channel originals and that, in my opinion, has seriously hurt shark films that are attempting to be genuinely scary.

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With terrible CGI and even worse scripts, films such as Three-Headed Shark Attack, Snow Sharks, and Ghost Shark have become standard Saturday evening fare on SyFy Channel.  Obviously they bring in ratings, as SyFy has consistently been releasing these terrible films since the early 2000’s.  I have to admit that I do enjoy some of them, but most of them are wretched.  One of my favorites is Sharktopus, a Roger Corman production starring Eric Roberts that knew exactly what it was and didn’t attempt to be something greater.

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Then you have the Sharknado franchise.  Like Sharktopus, the first film knew exactly what it was and played to its strengths, making it a fun film.  The sequels, however, attempted to up the stupidity and did so in spades.  All five….yes, all FIVE…of the sequels were horrible, but they still managed to pull in audiences.  It was as if SyFy was intentionally making each film more terrible than the previous ones in order to see just how bad the films could get before audiences tuned out.  While the popularity of the series seems like a good thing, it means that fans of shark films that attempt to be at least somewhat serious, such as the made-for-TV Red Water, have to wade through the murky waters of tons of bad shark movies in the hopes of finding a gem.

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Thankfully, major production companies seem to care at least somewhat about the quality of the shark movies that they put in cinemas.  With a higher risk of losing profit, the major studios have done one of two things in recent years.  They’ve either placed a minimal amount of money into a theatrical shark film release (almost insuring some type of profit) like The Shallows and 47 Meters Down or they throw a hefty chunk of cash at a film loosely based on a successful book series like they did with The Meg. The Meg has critics reeling, as they tore the film apart in their reviews and it is still chewing away at profits.  Its worldwide haul so far has eclipsed $400 million in its third week, and with audiences reacting to the film positively, it’s almost a given that a sequel will be coming in the near future.  The film definitely has some humorous moments in it, but for the most part it has an intelligent group of characters facing off against an unstoppable eating machine.

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The Meg was definitely a big risk for Warner Brothers, but it has paid off big time.  Hopefully this will see the return of intelligent horror films in the shark sub-genre.  Granted, you can only do so much with sharks as the baddies in a film, but they are so much better than the schlock fests that SyFy cranks out.  Those cheesy films have their place, but I’m personally tired of seeing so many of them being produced.

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I have no doubt that SyFy will continue to make bad shark movies as long as people keep tuning into them.  My only fear is that if and when another serious shark movie hits the screen, it will suffer because people expect shark movies to be bad.  The Meg wasn’t perfect, but it did have a few “jump” scares and some genuinely tense moments.  On top of that, it was a fun film to watch.  Hopefully we will see more movies like it in the future.

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Because of The Meg, I’ve been revisiting some of the older shark movies from my past.  I’m currently going through all of the Jaws films.  The first Jaws movie that I saw in theaters was Jaws 3-D (Jaws III).  It wasn’t a great film, but I did enjoy it.  I liked the fact that it took place at SeaWorld in Orlando and I was more worried about the dolphins getting killed than I was about the humans getting eaten by the shark.  If you haven’t seen that film, know that its cast features Dennis Quaid, Bess Armstrong, and Louis Gossett, Jr.  It is also the first feature film for Lea Thompson, who my fellow nerds will remember from the Back To The Future franchise and Howard The Duck.

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My favorite moment in the film is at the end when (spoiler alert)……….Mike Brody finishes off the shark by blowing it up.  When he does this, the shark’s jaws fly at the screen.  In 3-D, the jaws appear to be coming right at you, so naturally one would be extpected to at least flinch when the jaws “come out” of the screen.  On the night that I saw this film, the front row was full of young teens who screamed throughout the film.  When the jaws came flying at them, a couple of them literally climbed over their seats into the row behind them.  Everyone in the theater laughed at them, and that’s probably why I appreciate this particular sequel more than any other Jaws sequel.

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I have a soft spot in my heart for shark films.  I’m not drawn to them as much as I am to werewolf flicks, but there’s something about them that pulls me in and won’t let go of me.  Is it the fact that I’m a poor swimmer and would probably be swallowed instantly by a shark?  Maybe.  Is it the lack of truly great shark films out there and the feeling I get inside whenever I discover one of them?  Perhaps. Whatever the reasons might be, I’m pretty sure that at least one of them is the off chance that I might get to see Lea Thompson in a bikini!

Thanks for reading.  Be sure to check out some of the films that I linked in this article.  Many of them can be watched for free on streaming services such as Netflix or Amazon Prime.  If I had to pick any specific ones, I’d go with Jaws, Deep Blue Sea, and Red WaterOpen Water is pretty good as well, but it can be a task to watch if you prefer action over suspense.  Give it a shot, though.  You just might like it.

 

 

 

It’s Just A Game Release Date Set!

Press Release:

Daniel Emery Taylor’s IT’S JUST A GAME has a new poster and a world premiere date!

From the mind of Daniel Emery Taylor, an actor best known for THE RETURN OF SWAMP THING and a writer/director best known for THE HOSPITAL, comes a twisted tale of teenage bullying, jealousy, angst, and a bizarre theatre cult intent on summoning the spirit of an ancient witch.

The IT’S JUST A GAME Premiere is being presented and hosted by the renowned Hollywood Palms Cinema in Naperville, Illinois (just a short jaunt from O’Hare Airport & downtown Chicago) in conjunction with Taylor’s Debtor Entertainment and The HSPPA / Horror & Sci-Fi Prop Preservation Association. Hollywood Palms Cinema is a one-of-a-kind dine-in theater concept, offering an extensive menu and a full-service bar with a wide selection of beer, wine and spirits.

Attendees will receive a 11×17 poster and a very special companion piece to be announced soon.  There will also be a Q&A after the film featuring Taylor, actor/producer James Azrael, film star Hannah Cohen-Lawlor, and Skullgirl, herself, Rachel Marshall. Finally, there will be an HSPPA exhibit of wardrobe and props from the film.

Taylor’s solo directorial debut, IT’S JUST A GAME is an ethereal, haunting supernatural thriller with a giallo sensibility. Bringing a tale that is as fresh as it is indescribable, Taylor promises a change of direction from his previous work. “I wanted to present something that nobody else could: something born solely in my mind. Sure, you can see my influences – you can see the Argento, the Refn, the Raimi, the Hitchcock – but I am pleased that what I have is uniquely Daniel Emery Taylor.”

“The biggest complaint I hear from horror fans is that they want something new. Well, I’m bringing them something new.”

IT’S JUST A GAME boasts an impressive cast and crew. “In my estimation, Bill Schweikert is one of the best directors of photography in the business. What he does with the camera is artistry. I have also had an incredible time working with editor Daniel J. Pico (CABIN FEVER: PATIENT ZERO, FAREWELL DARKNESS). You often think of editing as being very technical but his vision is every bit as big of a part of this as James and mine are.”

Taylor seems most excited when talking about some of the new talent he worked with. “Hannah Cohen-Lawlor is the star of this film – in more ways than one. A prodigious performance. One day she will be a star and I will take full credit for discovering her, haha. Sarah Kopkin is tremendous. Rachel Fiona Marshall as Skullgirl absolutely shines and stands to join the echelon of great horror character actors. Leah Hudspeth was recommended to me by most everyone I knew and I couldn’t be happier that I cast her. The performances that she and Alex Zuko give are electric. They have tremendous chemistry. They’re sexy, funny, and scary … pretty much everything you want in this kind of project.”

Please follow IT’S JUST A GAME on Facebook and Twitter to keep up with updates and additional showings!

Ticket Purchase: purchase.growtix.com/events/landing/Hollywood_Palms_Cinema
Trailer: www.youtube.com/watch?v=n2VnC1STkWo
Facebook: www.facebook.com/itsjustagamemovie/
Twitter: www.twitter.com/justagamemovie

IJAG - FINAL Official Movie Poster

Support Independent Film!

This press release was provided to me by Daniel Emery Taylor.  Please support independent filmmakers.  They are what makes film great!  I posted a teaser a few weeks ago for this film and if you’re interested, take a look at it here.  If you happen to check this film out once it’s released, let me know what you think about it!

As always, thanks for reading.